David Thompson, Kris Thykier, Peter Heslop
„We found the whole experience of shooting in Vienna incredibly positive. We’ve really enjoyed working with the Austrian crews, who are very talented and dedicated, and we particularly have welcomed the support of the Vienna Film Commission, without whom this film would not have been possible. We have had invaluable support from our local coproduction partner ’2nd District Filmproduktion’.
The production has employed more than one hundred local technical crew, and featured more than one thousand local actors and extras. We can only say that Vienna is an ideal location for shooting in, with terrific local crews and wonderful locations. We very much look forward to making other films here in the future. Vienna deserves to be a favoured film making centre for international production.“
Produzenten, Origin Pictures UK, Weinstein Company
"The backdrop of the world renown Vienna Opera House will be a beautiful cinematic addition to the fifth instalment in the Mission Impossible franchise. I'd like to take this opportunity to thank the people of Vienna on our behalf, for their gracious hospitality and welcoming us with open arms."
Regisseur (The Way of the Gun, Jack Reacher; Mission: Impossible 5), Oscar-Preisträger "Bestes Originaldrehbuch": The Usual Suspects
“I'm in love with Vienna. Not only is it the most beautiful city where I've ever shot but also quiet, easy to move around, very film friendly and with excellent crew. My hope is to shoot another project here very soon.”
Regisseur (City of God, Blindness, The Constant Gardener), Oscar-Nominierung „Best Director": City of God
”I am delighted to have had the opportunity to film in this remarkable city again after so many years. I found myself recalling the wonderful experience I had filming Bad Timing here with Nicolas Roeg (...) In the few days we have been here I have been charmed by Vienna all over again, particularly by the warm reception and support we have received from the people of the city.”
Produzent, Recorded Picture Company (The Last Emperor, Fast Food Nation, Crash, A Dangerous Method)
“Freud is synonymous with Vienna and for us to shoot this movie and have scenes taking place in Vienna for three days is for us absolute gold. It is fantastic to feel the real history of Vienna. To get the feel of an era you need locations like Cafe Sperl. You cannot beat a real location, we’re out in the streets, at The Sigmund Freud Museum and the Belvedere, it’s incredible, we feel like we’re in the early 1900s here.”
Regisseur (Eastern Promises, eXistenZ, Crash, The Fly, A Dangerous Method)
"Video clip, commercial, motion picture - I learned my trade in Vienna. I will continue to shoot here. Not despite but because of Vienna."
Regisseur (Die Fälscher, Anatomie, Die Siebtelbauern), Oscar-Gewinner „Best Foreign Language Film“: Die Fälscher
"Vienna was the perfect city to film in... and... the crew and the city were very supportive. It was great!"
Regisseur (Before Sunrise, School of Rock, Before Sunset, Boyhood)
"Vienna has evolved in a truly astonishing and positive manner: Here I once again would like to fly over the cuckoo's nest, dance with the wolves, and play music with Amadeus."
Produzent, United Artists, Orion Pictures (One Flew Over the Cuckoo’s Nest, Amadeus, The Silence of the Lambs),
"Filming in Vienna has been very inspiring. We have had great support from our local crew and the funding authorities and been made to feel very much at home."
Produzent, Revolution Films (The Killer Inside Me, 24 Hour Party People, 9 Songs, Code 46)
“Filming in Vienna, like everything about the 360 production, has been a fantastic experience. A wonderful international team including 60 Austrians, led by a director like Fernando Meirelles - now that was really something! Calm, thoughtful and always absolutely sure what he wants... that's the way Fernando works with his cameraman Adriano Goldman. He managed to implement spontaneous ideas while at the same time never failing to answer questions that may arise about the content. He always knew Peter Morgan was there to provide support, and as far as I'm concerned, working with Andrew Eaton felt as though we'd always been working together. I believe my team has been representing Austria well, and the images of Vienna will be extraordinary.”
Produzent, Dor Film (Schlafes Bruder, Comedian Harmonists, Komm, süßer Tod, Nordwand, Wüstenblume)
© Matthias Greuling / celluloid Filmmagazin